Debut self-titled album released10th June 2016 on Full Time Hobby
Hear new track ‘Punch Drunk Sober’ HERE
“The first track off that project is “The Harbour,” a guitar and synth-heavy first anthem.” – The FADER
“Shimmering pop oddness, there’s an ice-cold cool to every element..” – DIY
“Pretty special.” – Clash
“The song is totally f*****g transcendent…” – The 405
There is always a moment, just before meeting an old friend, when fear kicks in. Has the relationship fizzled, or do you just pick up where you left off? For Mike Lindsay and Sam Genders, Tunng’s founding forefathers, a magical Icelandic adventure of man chats, drinks-til-dawn, and a little ‘Northern Falsetto’ has found the pair re-igniting their spark on new record Throws.
Nearly ten years since the release of Tunng’s third album Good Arrows and the last time the partnership’s imagination was let loose together – comes Throws; the sound of two old friends and collaborators reconnecting, catching up on each other’s lives and creating ideas on an enchanting island. During their time apart Mike had been living in Reykjavik and Sam had moved to Sheffield; it became apparent the two friends had taken dramatically different paths in love, location, and life. Curious what they could produce second time around; with no preconceived agenda Sam packed his suitcase and joined Mike in his Reykjavik studio, in the town’s industrial old fishing harbour, with no more intentions than catching up with his old buddy.
“The whole month became a cathartic party,” tells Mike. “We talked about the challenges we were facing in life. We walked by the sea and along the city’s small streets to crowded bars and cafes. We drank, laughed a lot, and danced like madmen on moonshine whilst recording whatever ideas came to us without any responsibilities other than making music, eating, and sleeping.”
Listen To ‘Punch Drunk Sober’:
The result is something no-one, least of all them, would have expected, and breaking away from his signatory hushed tones, and a big shift in Sam’s vocal habits soon opened some surprising new doors. “One lunchtime on the second day we opened a beer to get us in the Flow, then Sam started singing in this high-pitched falsetto Northern soul warble… it was like “that’s it! That’s the sound!” recalls Mike. “From that point on we found a flavour and vice for whatever this project was going to be.”
A brilliantly varied record that couldn’t be further from the pair’s earlier incarnation, the two have channelled all they’ve soaked up over the years into salt-swept surroundings. Through the studio’s big windows over-looking the sea, synths, old guitars and an off-key piano would bring the elements onto the record. On the big pop of ‘High Pressure Front’ pizzicato strings drop like onomatopoeic rainfall on the water, whilst Sam’s soulful falsetto on the beautifully odd ‘Learn Something’, the traditional folk rooting of ‘Silence In Between’, and ‘Knife’s glitchy electronica all capture the town’s movement, energy, and throes of passion.
“To make music in a place like Iceland will always leave you feeling refreshed and powerful… it’s just in the air,” Sam says. You could also say that it’s about the Icelandic company you keep – invited or otherwise. Whilst the album features members of Reykjavik’s burgeoning musical community including the amazing sounds of Icelandic String Quartet “Amiina”, the drumming expertise of Magnús Trygvason Eliassen, and the beautiful vocal tones of múm’s Sigurlaug Gísladóttir, there was also a near-guest appearance from an uninvited visitor. as Mike takes up the story:
“One day we were listening back to some mixes and I noticed someone in the live room fiddling with a synth. I asked him, “Hi, are you a friend of Axl’s?” He just grunted, then walked into the mixing room and picked up the big knife we were using to cut our cheesy lunch. It became pretty apparent he was a gentleman of the sea who’d just walked in from the harbour… my Icelandic isn’t great so we carried on listening to the mixes while he ate our cheese and gave approving slightly scary grunts.
When we went to gently take the pretty big knife from him, he burst into action with a swift Ninja move… it was petrifying! I said, in my bad Icelandic, “Hey, let’s go have a smoke outside” and slowly took the knife, gave him a fag, stood awkwardly for a while, then edged back into the studio locking the door behind us… Throws’ first Fan!”
As for the name, Throws? “It feels right; like the past, the present, and the future,” tells Mike. “Besides, we like one word names beginning with T!” he laughs.
Tracing relationships with all their twists and turns – romantic, bromantic and those brief encounters. Throws is about being connected to your surroundings, friendships and rekindling the magic, but also very much about the present – living life with passion, no matter where it takes you. Sam concludes “if you accept the reality of life and the people you share it with then there are great big adventures to be had.
Throws are playing live this summer:
8th UK London, Oslo (w/ Choir Of Young Believers)
11th UK London, Lexington (w/ Farao)
12th UK Manchester, Castle (w/ Farao)
15th UK London The Waiting Room (LP release show)
16th FR Paris, Pop Up Du Label
30th UK Lancashire, Cloudspotting Festival
27th UK Totnes, Sea Change Festival
2/3/4 UK End Of The Road Festival